I was looking at my copy of L1fe, Canon Marketing Philippine’s catalog again today and saw this DSLR Lineup:

Entry Level Series
EOS 1000D
EOS 450D
EOS 500D
EOS 550D

Advanced Amateur Series
EOS 7D

Pro Series
EOS 5D Mark II
EOS 1D Mark IV

There’s no mention of the 50D, so unless this is an honest error (quite a big one), then I’ll take this as a sign that the 50D has been quietly removed from the lineup in preparation of a new camera, most likely the 60D. Like Real Soon Now.

Most of the information about the 60D remain unsubstantiated as of this writing, but pictures of a supposed 60D can be found on canonrumors.com.

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Olympus has announced its PEN Lite E-PL1 Pancake Kit. The package includes an E-PL1 camera body, the M.ZUIKO DIGITAL 17mm f/2.8 lens and the optical viewfinder VF-1.

The Olympus E-PL1 in Ruby Red

In addition, the pancake kits will also have a choice of two new limited edition color-scheme E-PL1 bodies.

The EPL-1 is a more user-friendly, if a bit more limited in features, version of Olympus’ PEN E-P1/E-P2. It is aimed more at the casual shooters who want better image quality than a point & shoot, but don’t want the bulk of a DSLR and the relative complexity of full-featured EVIL cameras like the Olympus E-P1/E-P2 and Panasonic’s GF-1. More information about E-PL1 can be found at the Olympus site. A review of the the E-PL1 can be found here.

With the popularity of the E-PL1, Olympus has decided to offer two new body colors for the E-PL1, Ruby Red and Blue Black. Each of these limited edition E-PL1s will come with a matching VF-1 optical viewfinder to aid in composing pictures without the LCD (useful in bright daylight or for saving battery power), and the pancake M.ZUIKO DIGITAL 17mm f/2.8 lens which allows the E-PL1 to remain compact in form.

E-PL1 in Blue Black

In addition, Olympus also announced an eyecup for its VF-2 electronic viewfinder (EVF). The EP-9 eyecup will help block out bright light to allow better viewing of Olympus’ brilliant electronic viewfinder. It is significantly larger and will also accommodate photographers with eyeglasses.

The PEN Lite E-PL1 Pancake Kits, including those with limited edition color bodies, will go on sale 28th of May 2010. Only 9,000 kits will be sold, offer good while supplies last. Price as per dealer.

The EP-9 is projected to go on sale mid-June 2010 with an MSRP of JPY2100 tax-inclusive.

Olympus EP-9 Eyecup

EP-9 Eyecup on VF-2

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Canon announced earlier this week that its new IXUS 300 HS digital compact (also known as the Powershot SD4000 IS in the US and the IXY 30S in Japan)will be released by the end of this month.

This IXUS is a rather interesting one because Canon is positioning this as a camera that can “take photos in beautiful and dark scenes”

Shooting under low-light conditions (read: indoors) is something that most compact digital cameras can do, but not do well. This is because they have small image sensors, which don’t lend themselves to shooting at high sensitivity level. Sure, one can set a higher sensitivity level from ISO 400 upward, but one also gets a healthy level of image noise that can get too undesirable. One can brighten up a scene with the camera’s built-in flash, but it’s not powerful enough in most cases, and will give the deer-in-the-headlights look to one’s human subject.

Currently, there are only a handful of cameras out there that do reasonably well in dark/indoor conditions without using a flash, the Panasonix Lumix DMC-LX3 (and its twin, the Leica D-Lux 4), the Canon G11, and the Canon S90, to name a few. These cameras do it with fast lens (f/2.8 and faster), and an image sensor with less megapixels (around 10MP) than your usual consumer-ZOMG-15-megapixel-digicam (quality over quantity).

Canon IXU 300 HS

Canon IXUS 300 HS in Silver

The IXUS 300 HS is seen to be joining that group of cameras, with what Canon has dubbed the “HS System” and the “Bright Lens”.  These refer two aspects of the IXUS 300 HS that will improve pictures in dark situations.

The HS system (for High Sensitivity) is the combination of a back-lit image sensor similar to (if not the same as) the Canon S90′s and Canon’s DIGIC 4 processing engine. The sensor enables high ISO shooting with reduced noise, and DIGIC 4 provides additional noise reduction.

Bright Lens refers to the IXUS 300 HS’s large aperture/lens opening of f/2.0 at its widest focal length. With a large aperture, more light can go to the sensor, enabling one to shoot with less resultant noise overall, especially at ISO 400 above. The camera’s lens focal length is a useful 3.8x zoom range with a 35mm equivalent of 28mm to 105mm.

Together with built-in optical image stabilization (IS) to help minimize camera shake due to shaky hands, the IXUS’s HS and Bright Lens should let most shooters take better images indoors. Canon Rumors has a few pics at ISO1600 and ISO 3200 from a hands-on session with a pre-production camera.

The camera does not have full Manual control over exposure unlike the G11 and S90, but it does have shutter-priority (Tv) and aperture priority (Av) modes, which offer a significant amount of creative control when shooting. Other features include HD video capture capability and a few funky effects, such as a 240FPS (frames-per-second) video mode that can make things go in slow motion.

The stylish IXUS 300 HS comes in several colors: Black, Silver, White, Red and Yellow. The first two colors are your usual gadget color scheme, but the last three colors are bright and will appeal to those who like their gadgets to be a bit more fun.

This camera isn’t going to replace a DSLR for image quality, and won’t let you have full manual control like the Canon S90, Canon G10/G11, and Panasonic’s LX3. But then again, it’s not going to have the price tag of those and it will be a great point-and-shoot camera to take around with you all the time, even indoors.

As Canon says on its Japanese website “simply press the shutter button, you can take pretty pictures”.

Canon Japan has set a release date of the 27th of May for the Japanese market’s IXY 30S, and we can expect a similar release date for the other regions in the world.

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You’ve probably seen “USM”, “SWM”, “SSM”, “HSM”, “SWD” written on DSLR lens barrels and feature list, usually to imply that a given lens focuses fast and silently.

Each sounds as if it came from some marketing guy with an overactive imagination.

R&D Guy: “Hey, we’ve got this new lens motor technology. It’s fast and it’s quiet!”

Marketing Guy: “Fast? Let’s for supersonic, like the-faster-than-sound-Concorde, but faster! Let’s call it ULTRAsonic! VRWOOOOSH!!”

However, as much as “Ultrasonic” sounds like a gimmick, there’s more to it than a marketing blurb.

Conventional autofocus camera lens used to be driven by motors with gears. These are characterized by a somewhat loud whirring/gears grinding sound while it focuses.

In the 1980s, Canon developed an electric autofocus lens motor that used the ultrasonic vibration to move things. In simple terms, it was using vibration to move stuff inside the motor, instead of using ordinary mechanisms.

How does an Ultrasonic Motor work?

Here is an animation of how the concept works, taken from Canon’s Camera Museum.

  1. Click on the Japanese sentence with “USM” in it to get started.
  2. It will show you two rings. The top ring is called a “rotor” which is the part you want to rotate (a lens assembly maybe). The bottom ring is called the “stator” which is what vibrates at ultrasonic speed.
  3. Click on the Left Arrow to for counterclockwise movement. As you can see, the stator ring vibrates in a counterclockwise fashion, and this in turn makes the rotor twist counter clockwise. Click on the Right Arrow and the opposite will happen. This is how a lens is made to focus. The stator vibrates too quickly for a human to really feel it, the demonstration just shows a very-slowed down vibration.

The result was a lens that autofocused faster and more silently than a conventional lens. Ultrasonic motors are usually found in the better-made lenses.

Other lens makers call this technology by different names and some of them use the word “Wave” instead. This is because they’re referring to the “traveling wave” of this ultrasonic vibration.

Here’s a list of the common ones, which I linked to their respective manufacturer’s page if available (I can see an overzealous marketing guy naming some of them :D ):

Regardless of how they call it though, they all mean one thing to lensmen all over: fast and silent autofocus lenses.

More technical reading can be found at Wikipedia’s entry for Ultrasonic Motor.

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Micro Four-Thirds Diagram

EVIL.

A word more commonly associated with dead zombies, clowns, Darth Vader, politicians.

And now there has been a lot of buzz with EVIL cameras. It’s even spelled out in all caps E-V-I-L.

A camera that’s hateful, malicious, despicable, loathsome?

None of that sort of course.

So what is an EVIL Camera?

EVIL stands for Electronic Viewfinder, Interchangeable Lens. I guess “ILEV Cameras” just doesn’t have that ring to it.

Traditional optical viewfinders are those glass windows that you peer through on a compact, rangefinder cameras, DSLRs. Light passes through a series of lenses and/or mirrors and prisms to your eye. One peers through a viewfinder to frame a shot.

Micro Four-Thirds Diagram

Why an EVIL Camera is smaller. Pic from the Micro Four Thirds.org site

An electronic viewfinder (“EV”) works differently. Instead of directing light from the lens all the way to your eye, the lens directs light on to the camera’s imaging sensor. The imaging sensor’s data is then converted for meaningful display on an LCD screen, allowing you to see what the camera sees. If you’ve worked with a consumer video camera or compact digital cameras with an LCD display at the back from the past 10 years, then you’ve already worked with an electronic viewfinder equipped device.

Interchangeable Lens (IL) is also nothing new. Film-based cameras dating back decades had them. With the popularity of affordable DSLRs, people have been using interchangeable lenses more than ever. And for good reason, since having interchangeable lenses lets one pick a lens that’s most appropriate for the job. Shooting landscapes? Use a wide-angle lens. Wildlife? Switch to a super-telephoto.

At this point, we’re talking about two things, EV and IL, that are old stuff. The magic happens when you put EV and IL together, and get EVIL.

The problem with compact digital cameras is that their image quality is poor and prone to noise when shooting in dark conditions. This is because their image sensor is small in order to fit into a small camera body. Therein lies their main appeal, compact digicams are small. They can be slipped into a pocket ready for any situation and not be noticeable.

A modern Digital SLR will have better image quality compared to compact digicams by virtue of a bigger image sensor. You can also fit different lenses to a DSLR to fit different shooting situations. Unfortunately, even the smallest DSLR on the market now as this writing, the Olympus E-420, is still significantly bulky. There are times when one desires a lighter and smaller camera, or when one is being discreet as a DSLR can be attention-grabbing in a very bad way.

EVIL cameras combine the best features of compact digicams and DSLRs.

The EV part eliminates the mirror and prism assembly that eats up space in a DSLR (that hump on top of a DSLR houses the prism), cutting down on the size and weigh while retaining a DSLR-sized image sensor for high quality pictures. The IL part allows lens changes to suit the conditions.

The result is a camera that’s small and light, yet still capable of taking DSLR-quality pictures. Couple that with a selection of new lenses designed specifically for EVIL cameras, and you have a very flexible and portable photography system.

Here are’s a list of the main pros and cons of an EVIL camera.

Advantages

  • Images as good as many DSLRs
  • Relatively lighter than DSLRs
  • Smaller than DSLRs
  • Lenses can be changed for shooting flexibility

Disadvantages

  • Slower shooting speed than DSLRs
  • Electronic Viewfinder eats up battery power
  • Current prices can even be higher than entry-level DSLRs.

Panasonic Lumix DMC-GF1 Color Choices

Olympus and Panasonic came out with the first mainstream EVIL cameras, the Panasonic GF-1 and the Olympus E-P1, based on their jointly-developed Micro 4/3 (Four-Thirds) lens mount. These cameras have proven to be wildly popular, even if they can cost more than an entry-level DSLR. Olympus has recently come out with two more EVIL cameras, the E-P2 and a stripped-down E-PL1.

Seeing the opportunity in the market, Sony has come out with its NEX3 and NEX5 cameras based on Sony lenses. With Sony’s name recognition and consumer loyalty, their EVIL cameras are set to be bestsellers as well.

Sony NEX-3

Sony's upcoming EVIL Camera, The NEX-3

Now that Sony has jumped in the fray after seeing how popular the Panasonic and Olympus offerings are, will the big ones, Canon and Nikon, follow in their EVIL footsteps?

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May 122010
 


A Pro Photographer Covering the Bangkok Protests

That is a question that I often get from new acquaintances when I get introduced to them while I’m carrying my DSLR.

Are you a photographer?

This is a question that isn’t asked, for instance, when I’m introduced to new acquaintances while I’m holding my Canon IXUS 860 IS, a compact digital point-and-shoot camera that one can find in department stores.

So, what is a photographer?

The word photography comes from the Greek word photos, meaning light, and another Greek word graphos, to draw or put into writing. It doesn’t say how photography should be done so it’s safe to say that its done nowadays with a camera.

A photographer is one who practices photography.

A camera is a tool that a photographer uses to capture the images. I took these pictures of people using cameras during the Bangkok protests in 2009, there’s a pro with her pro gear and a tourist with the camera on his phone. Both of them captured the scene unfolding that time. Sure, the professional will have way better-quality images, but the guy and his cam phone would also be able to snap usable shots that something like CNN’s iReport would accept.

Tourist Capturing Bangkok Protests With a Phone Camera

With almost everyone and his dog having a camera of some sort nowadays, the question then should be “what kind of photographer are you?

There are professional photographers who do this for a living and amateurs who just do it for pleasure. There are landscape photographers and there are those who concentrate on shooting one kind of sport. There are really good ones, and there are those who probably need more practice (like me). Some use a Hasselblad digital that’s worth a condominium unit, and others have the VGA-quality camera that came with their phones.

All of those kinds take photographs. Photographers.

So, If I were to be asked “are you a photographer?” when I have the pocketable IXUS in hand, I’d give the same answer I would if I had my DSLRs and telephoto lenses hanging on my neck:

Yes, I’m a photographer.

Do you take pictures with a camera, be it your phone’s camera, a disposable  Kodak film camera, or a professional-level Nikon D3X DSLR?

If the answer is “yes”, then you’re a photographer too.

P.S. Don’t let some know-it-all in some photography forum tell you otherwise. :)

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