The Manila leg of the Canon PhotoMarathon Philippines 2011 was held at the Philippine Trade Training Center (PTTC) in Pasay City last 12 November 2011. The event is the culmination of this year’s Canon PhotoMarathon for the Philippines, which kicked off with the Cagayan de Oro City leg in Mindanao on the 27h of August then went up northwards with another leg every week: Bohol’s Tagbilaran City for the Visayas Click Here To Read More
The Pinoy Photography Organization recently held its 6th Anniversary event entitled “Framed Perspectives” last Saturday 5th November at the SM City North EDSA. Almost 600 PiPho online forum members (known as “PiPhols”) had signed up for this year’s event, and there was a big crowd in attendance on the day itself. It was a day of learning, goodies and an opportunity to meet old photography and make new ones.
For a long time since their last DSLR model, the well-regarded S5 Pro, Fujifilm has been quiet on cameras bigger than its compact point-and-shoot ones. It seemed like they’ve given up on the upper end of the digital camera market but apparently they’ve been working on something. And what a something it turned out to be. Announced at photography trade show Photokina 2010, Fujifilm’s FinePix X100 has become one of Click Here To Read More
Three months ago, I was able to acquire a used Canon EOS 1Ds Mark II in very good condition. To a hobbyist who as been using semi-professional DSLRs (40D and 20D), the professional-grade 1Ds Mark II was a strange beast, both familiar and strange. During that time, I’ve used it as my everyday camera and have used it on photowalks, a running event, a studio shoot and even a couple of weddings. I have become quite comfortable with its controls and have explored its capabilities. And what a fine camera it is.
PhotoWorld Asia is the country’s prime photography tradeshow, and there’s something for every photographer, from product displays to seminar sessions. For 2011, the Federation of Philippine Photographers Foundation (FPPF)-organized event is being held from the 27th of January up to the 1st of February in Makati City. The trade show booths are set up at the Glorietta Activity Center, while the seminars are conducted at the Asian Institute of Management along Paseo De Roxas.
The Yashica Electro 35 is a 35mm film rangefinder camera that was released in 1966. Its name refers to its then-innovative shutter mechanism, which used an electromagnet to control the shutter speed. Able to automatically compute for correct exposure via Aperture Priority and armed with a fast 45mm f/1.7 Yashinon DX manual focus lens, the Electro 35 was very popular in its day. Today, there are still a lot of Yashica Electro 35 (and its successors, the G, GS and GSN) cameras available. They’re already considered vintage cameras but many of them are either still in working order, or easily restored. They will still take great pictures. The problem lies in its reliance on electric power to function, as the 5.6V battery it was designed to use has been long out of production because of mercury content. The good news is that the modern 6V batteries available in the market today can power the Electro 35. The bad news is that none of them readily fits into the camera’s battery compartment.
A quick-release plate (or QR plate) is the part of a camera tripod that is directly attached to the bottom of the camera. It allows the camera to be quickly attached to, and removed from, a tripod.The QR plate is simply a piece of metal or plastic screwed into the bottom of the camera and will have rubber or cork-like pads on top to grip the bottom of the camera. Many tripods come with a QR plate of some sort, and only differ in the way that the QR actually attaches to the tripod itself. An L-plate or L-Bracket as it’s also called, is basically two QR plates stuck together in an L-shape. This article reviews a Really Right Stuff B57L L-plate and shows how it’s used.
Professional-grade DSLR camera bodies have a certain mystique to most photographers. They are supposed to chock-full of features, have instant-lock autofocus, a bazillion autofocus points, blazingly-fast shooting speed and virtually indestructible. More than any other kind of DSLR, being seen with a pro body in public gives the impression that one is a professional photographer. Their single-digit model names (for Canon and Nikon, anyway) inspires awe in the wielders of lesser models. There are already several reviews done by photography experts elsewhere on the net: Digital Photography Review, Luminous Landscape, and The-Digital-Picture.com have extensive reviews of the Canon 1Ds Mk II. This post will be about my experience with a pro-level 1Ds Mk II as an amateur who has been using semi-professional level Canon DSLRs for the past three years. So what’s the fuss about pro bodies? Let’s find out!